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Andrea del Sarto
Tikiri Panqia assumptions
mk249
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Andrea del Sarto
Holy Family
mk249
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Andrea del Sarto
mk249
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Andrea del Sarto
Walloon Buluo Sa altar portraits
mk249
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Andrea del Sarto
Walloon Buluo Sa altar portraits
mk249
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Andrea del Sarto
The Virgin and Child with Saints
mk249
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Andrea del Sarto
The resurrection of Jesus and Mary meet map
mk249
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Andrea del Sarto
Kind
mk249
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Andrea del Sarto
Holy Family with St. John young
mk249
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Andrea del Sarto
Our Lady of the four-day Saints glory
mk249
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Andrea del Sarto
Portrait of the altar
mk249
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Andrea del Sarto
Carpenter glass portrait
mk249
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Andrea del Sarto
Man portrait
mk
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Andrea del Sarto
Take the book portrait of woman
mk249
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Andrea del Sarto
The clergy image
mk249
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Andrea del Sarto
Man portrait
mk249
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Andrea del Sarto
Man portrait
mk249
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Andrea del Sarto
charity
mk247
1518 to 19,oil on wood transposed onto canvas,72x54 in,185x137 cm,louvre,paris,france
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Andrea del Sarto
Bondi inside portrait
mk261 Florence two decades on behalf of the sixteenth century oil painting on canvas 51.5 x 37.5 cm
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Andrea del Sarto
The so called Portrait of a Sculptor
The so-called Portrait of a Sculptor, long believed to have been Del Sarto's self-portrait.
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| Andrea del Sarto
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b.July 16, 1486, Florence
d.Sept. 28, 1530, Florence
Italian Andrea del Sarto Galleries
Andrea del Sarto (1486 ?C 1531) was an Italian painter from Florence, whose career flourished during the High Renaissance and early-Mannerism. Though highly regarded by his contemporaries as an artist "senza errori" (i.e., faultless), he is overshadowed now by equally talented contemporaries like Raphael.
Andrea fell in love with Lucrezia (del Fede), wife of a hatter named Carlo, of Recanati; the hatter dying opportunely, Andrea married her on 26 December 1512. She has come down to us in many a picture of her lover-husband, who constantly painted her as a Madonna and otherwise; even in painting other women he made them resemble Lucrezia. She was less gently handled by Giorgio Vasari, a pupil of Andrea, who describes her as faithless, jealous, and vixenish with the apprentices; her offstage character permeates Robert Browning's poem-monologue "Andrea del Sarto called the 'faultless painter'" (1855) .
He dwelt in Florence throughout the memorable siege of 1529, which was soon followed by an infectious pestilence. He caught the malady, struggled against it with little or no tending from his wife, who held aloof, and he died, no one knowing much about it at the moment, on 22 January 1531, at the comparatively early age of forty-three. He was buried unceremoniously in the church of the Servites. His wife survived her husband by forty years.
A number of paintings are considered to be self-portraits. One is in the National Gallery, London, an admirable half-figure, purchased in 1862. Another is at Alnwick Castle, a young man about twenty years, with his elbow on a table. Another youthful portrait is in the Uffizi Gallery, and the Pitti Palace contains more than one.
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